| |
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| “…the lure of this sophisticated
work [Rio abajo rio] lies in its carefully constructed form, original
harmonic language, and beautiful treatment of melody. Of particular
note are the serpentine chromatic harmonies that undergird the lilting
melodic writing of the second movement—at once both disconcerting
and irresistible. The final movement’s orchestral scope makes
room for everything from delicate arabesques to an angular tango,
concluding with a thrilling toccata. In short, this is an important
addition to the literature for the organ…” |
The Diapason,
March 2002 |
| “Kairos makes its
second CD appearance (also to be found on an all-Decker recital by
Janice Beck, Albany CD-383) and proves that Pamela Decker’s
music demands to be heard.” |
The American
Organist, February 2002 |
| “Decker is decidedly a composer
to reckon with—an organist who writes originally and idiomatically
for her instrument.” |
The American
Organist, December 2001 |
| “A fine example of creative
contemporary writing, it [Rio abajo rio] deserves to find its way
into the repertoire…” |
The American
Organist, December 2001 |
| “This precision has its source in the
enormous technical capability that Pamela Decker displayed. Fast runs
presented no problem whatsoever, not even in the pedal passages. In
one instance it appeared as if she were dancing…This remarkable
technique was complemented by the interpretive security with which
the American organist breathed life into all of the works…” |
Rheinische
Post (Ausgabe Geldern)
Straelen, Germany, 10/09/01 |
